It’s the 1920s around here!

Here’s the list of assigned poems and roles!

Tuesday and Wednesday: Harlem Renaissance Poetry Slam ~ Come prepared to wow us with your poem performance. Here’s the assignment sheet.

Thursday: A Social Gathering of 1920s Luminaries ~ Come in character. Here’s the assignment sheet.

Print out a hard copy of your first-person biography to bring with you to the Social Gathering of Luminaries on Thursday! (Print BEFORE the party begins!)

Please carefully read and follow all instructions. Please double- and triple-check all directions and learning targets.

Finish Refugee

Not everyone heard pages 270-84. If you did not, start there!

Joseph pp 285-91

Isabel pp 292-98

Mahmoud pp 299-305

Isabel and Mahmoud pp 306-15 Part I

I didn’t get a chance to record Part II – go to the file above, download it, and read the very last couple of pages! Eeek!

Writing the War Target Display

WRITING THE WAR due W 3/13

Compose your own original World War I poem. Use everything you’ve learned about life in the trenches and on the homefront to see through their eyes and place yourself in the era of World War I. Put to use all of the resources on my and Mr. Taft’s websites and all of your notes!

Write a poem from whatever World War I perspective you choose, but capture the era in your best poetic voice, figurative language, descriptive language, and imagery. Consider the poems you’ve read as models.

Write about 20 to 30 lines of poetry, either all as one longer poem or a series of shorter poems. Of course, you’re welcome to write in free verse, create a rhyme scheme, compose a specific type of poem… whatever best captures the perspective you want to explore.

Give your poem a meaningful title. Submit your work on GoogleClassroom – GoogleDocs or PDFs only.

Refer to the learning targets above. Utilize your poetry notes throughout this project.

Primary Sources to Inspire Your Poetry:

Click here for the GoogleDoc of this assignment. It’s also available on GoogleClassroom.

Catch up on Refugee!

Take a coloring page or two home tonight so you can catch up on Refugee! I’ll read tomorrow from starting where 8-2 left off, so everyone else needs to catch up!

Now we are all caught up with 8-2, and we’ll all start with Joseph in class on Tuesday. We’re in a race to finish the book this week!

WWI in Poetry

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Learning Targets — I can…

Parts I & II:

  • Identify and explain figurative language, tone, persona, and other literary or poetic devices in the poem.
  • Closely read and analyze (identify and explain) the purpose and meaning of a poem in its historical context; in other words, apply what we’re learning in History to the poem.
  • Use and cite specific words and lines from the poem to support my ideas.

Part III:

  • Accurately and creatively portray the history of World War I in my poem; readers can experience World War I in my poem.
  • Create imagery by using vivid and strong words; my word choices are varied, powerful, and precise.
  • Enhance the meaning and impact of my poem with powerful visual elements, such as backgrounds, images, font choices, colors, etc.

Reading the War:

On the “WWI in Poetry” page, read the poems and check out the related videos and links.

I> First, by yourself, directly on your poetry handouts, annotate the poems, looking for…

  • Figurative Language — What imagery, allusions, metaphors, personification, and other literary terms and devices do you see? (See Poetry Terms slides or ask questions if you need a reminder on what these are.)
  • Signposts (On the Reading page!) — What comes up again and again in a poem; what are the words of the wiser of the poem; what memory moments, aha moments, or contrasts and contradictions do you see; any word gaps for you?
  • Meaning — What do you make of the poem; what does it say to you; what do you take away from it?
  • Power Lines — What stops you in your tracks? What hits you in the heart and the head? What stands out and captures your attention? What appeals to you?

II> Second, after you’ve had a chance to read and think about the poems on your own, join up with one or two partners (no more than groups of three!). Share your thoughts on the poems with one another and add to your annotations. Note: If you are not in class to work with a partner, then discuss the poems and add to your annotations with a classmate or friend outside of class.


Writing the War:

III> Third, compose your own original World War I poem. Use everything you’ve learned about life in the trenches and on the homefront to see through their eyes and place yourself in the era of World War I. Put to use all of the resources on my Mr. Taft’s websites and all of your notes!

Write a poem from whatever World War I perspective you choose, but capture the era in your best poetic voice, figurative language, descriptive language, and imagery. Consider the poems you’ve read as models.

Write about 20 to 30 lines of poetry, either all as one longer poem or a series of shorter poems. Of course, you’re welcome to write in free verse, create a rhyme scheme, compose a specific type of poem… whatever best captures the perspective you want to explore.

Give your poem a meaningful title. Submit your work on GoogleClassroom – GoogleDocs or PDFs only.

As we have done with other poetry we’ve written this year, create an 8.5×11” (regular paper size) poster for your poem. If you compose more than one poem, you can create a poster for just one of them.

Refer to the learning targets above. Utilize your poetry notes throughout this project.

Primary Sources to Inspire Your Poetry:

Click here for the GoogleDoc of this assignment. It’s also available on GoogleClassroom.